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[Birte Lüdeking at www.MOVIEMAZE.de on INLAND EMPIRE]

It's time to rhyme or reason to put off and the feeling and the subconscious to let go first. For David Lynch is back, and his trip to hell seems to parallel the personalities of an actress even less accessible and understandable to be, as it 'Mulholland Drive' was. Is it illogical? Is it (bad) dream logic? It is Lynch logic.

One may think of David Lynch's films, what you will, but one has to be the man. He has a flair for expressive title, that trigger associations and immediately get stuck in my memory. 'Eraserhead', 'Wild at Heart', 'Lost Highway' and now so INLAND EMPIRE - on the one hand an area near Los Angeles, on the other hand, of course, the inner kingdom. And above all: "I liked the sound of the word domestic and I liked the sound of the word empire," the director explains his choice. As simple as that.

Perhaps his latest work, despite once again confusing, not stringent action in the core so simple and clear, if not too much about pondering and instead simply sounds and images can work on you. Without it to want to put it in a drawer and expect that by its maker to the hand and led from A to B, as it is on films with a conventional narrative of the case. But maybe it's just as well inside as it appears externally: chaotic, unnerving and unsettling, and to strip it in the best sense starting, urgently and difficulty.

It begins with a mighty roar, the one runs just under the skin and ends with the sentence, among other things, the program: "How weird." In between familiar faces from past trips Lynch, Laura Dern (Blue Velvet ',' Wild at Heart ') and Justin Theroux ("Mulholland Drive '). Then, the often practiced, only new games dice with different levels of reality and fiction, many of which seem to lead to nowhere, other from the beginning were only feints. And declare the deliberate refusal of the director, or classify.

speak what is not subtitled Poland? Why sing the prostitutes "The Loco-Motion"? Although he really should know better, the mind long after the credits trying to answer the many questions that are put into the room and remain there. And the puzzle fairly fit and easy to assemble, the first time using a digital camera Lynch wild on the canvas throws. The look is dirty and dizzy, far away from the sharp, lush Cinemascope images of his earlier works. The tone is disturbing, sometimes frightening.

"I can not tell if it's yesterday or tomorrow and it's a real mind fuck," says Laura Dern embodied actress who does not know where she is and who she is. It is an in-country Lynch as a spectator. But that is precisely the Charm, when to agree to hang the control for a while at the nail to let his brain whirling properly mixed, and then tried to draw it back into the beaten track. The Moods and feelings, the Inland Empire releases are, by common logic not to take, they can only be felt.

's own reality is a very dull noise to that effect before. Assuming you are in reality and not in a dream or fictional parallel universe in which we are trapped without knowing it. Maybe all speak Polish in the reality in which one is actually home. And what they mean at all the people in rabbit costumes? No matter. In this film they feel right.

Birte Lüdeking © www.MOVIEMAZE.de 2007th At the request of Mr. Lynch, the attribution "Inland Empire" in INLAND EMPIRE changed.